Showing posts with label Miley Cyrus. Show all posts
Showing posts with label Miley Cyrus. Show all posts

Friday, September 26, 2014

favorite song friday: jessie j's bang bang

Pop music production has become so systematic. Jessie J, who appeared during awards season on a Fashion Police show with Joan Rivers told the group how her song, "Bang Bang," was created. She wrote it and recorded it, and then the producer brought in Ariana Grande and Nicki Minaj to add their parts. Jessie J never even met the other two ladies until the video shoot. And the trio performed the song live for the first time at the recent MTV Video Music Awards. That's how the music biz works these days. While it may not make for a true collaboration, the end result is still a fun song.

British singer and songwriter Jessie J on the set of the "Bang Bang" video


Singer/songwriter Jessie J has written songs for Chris Brown ("I Need This"), Miley Cyrus ("Party in the U.S.A."), Britney Spears ("Hold It Against Me"). She can also do a mean cover of other stars' megabits. Here she does a wonderful rendition of Rihanna's "We Found Love."

Monday, August 25, 2014

vmas: ladies' night

MTV is not even close to being the arbiter of what's hot in music or pop culture anymore, but it still puts on a pretty good awards show. Maybe because the emphasis is in the right place, as the show was definitely more about the performances than the awards. Does anyone, except the moon man recipient, really care about who wins what or who was nominated? It's all just a chance for musicians to party and dress up and maybe come up with a fun number that people will talk about the next day. And it was all about the ladies last night. And Sam Smith.

Sam Smith gave the best performance of the night with "Stay With Me" at the 2014 MTV Video Music Awards.

The kid fell asleep before even one of her idols, Taylor Swift, turned up in an early performance. She was was lots of fun, channeling Hollywood musicals crossed with a goofy Carol Burnett Show skit. She also missed her other heart throbs of the moment, 5 Seconds of Summer, who were (strangely) the only band that played. I don't really remember the song, but she can check it out on YouTube and see what she missed. She, like I imagine most teeny boppers these days, loves the other everywhere-you-look pop product of the moment, Ariana Grande. I try to be nice, but I can't stand listening to her. She doesn't really dance, and the faux '60s go-go girl look isn't even Austin Powers fun. I also can't understand a word she sings — I'm just not a fan.

Last night's show had plenty of water cooler moments, most of them provided by the omnipresent Nicki Minaj. She was on hand for "Bang Bang," Jessie J's song which features blips by Minaj and yes, Ariana Grande. Their performance was a bit weird, with Nicki fighting an obvious wardrobe malfunction, holding her dress together — probably a busted zipper or something similar due to her quick change from her previous "Anaconda" number, which was predictably tasteless and riveting to watch. Minaj also turned up later in the evening in Usher's performance. He was certainly working hard, singing, dancing, playing guitar, on the less-than-memorable song — even bumping up to Nicki's formidable butt.

All hail Beyonce

There were a few quieter moments that caught my attention. Common referencing Ferguson before introducing an award. A very restrained Miley Cyrus who was accompanied by a young homeless kid who graciously accepted her award for video of the year for "Wrecking Ball." One of the most powerful moments of the night came from an ad that ran a slideshow of celebrities — many of them in attendance — smoking — and urging them to not continue to promote their habit via selfies.

The big closer of the night was a tour-de-force performance by a radiant Beyoncé, who was the recipient of the Video Vanguard award. It is undeniable that Beyonce is an amazing performer. It was also sweet and rumor-crushing to see her receive her award from her "beloved" Jay Z and daughter Blue Ivy. Congrats all around.

Friday, May 16, 2014

favorite song friday: "the big bang"

This song is a little eerie, as the singer's voice really reminds me of the late Amy Winehouse, but I can't help but like it. Will British singer Katy Tiz be more than a one-hit wonder? Only time will tell.



The song was already covered, not too long ago, by Miley Cyrus and Rock Mafia (who wrote the song), in an almost identical arrangement, but Tiz seems to be the one hitting the charts. Maybe timing is everything.



Friday, March 07, 2014

favorite song friday: pharrell and girl just want to have fun

Yes, I'm still on a Pharrell Williams kick, and you should be too. I just picked up his new CD, Girl, and am enjoying listening to it on repeat in the car. The über-infectious "Happy" is smack-dab in the middle of things. It is still a stand-out tune, but there are other treasures as well.

Pharrell was all over the charts this past year with collaborations with Daft Punk on "Get Lucky" and Robin Thicke on "Blurred Lines" — both huge hit records. He has proved himself as a performer and producer, working with everyone from Mariah Carey to Britney Spears to Jay Z. Girl has Pharrell playing to his strengths as both a producer and performer. He pulls in some great talent on a number of tracks, but also showcases his smooth falsetto, great phrasing, and love of all musical genres on many of the tracks.



This one goes out to all the lovers
What can we do? We're helpless romantics
We can not help who we're attracted to
So let's all dance, and elevate each other — "Marilyn Monroe"

Girl has a retro-feel, with Pharrell sharing his love of classic Motown, 70s disco, 80's pop, and just about anything and everything that has a great beat. But the record never seems dated or a pastiche. Pharrell loves beats and knows how to use them. Some of the stand-out tracks include:

"Marilyn Monroe," which starts off the album.

"Brand New," with Pharrell and Justin Timberlake evoking Stevie Wonder and The Jackson 5 while they trade verses in this upbeat jam.

Honey, you got me feelin' (brand new)
You got me feelin' (brand new)
Like the tag's still on me
Got the tags still on me
Jumpin' 'round in your bag
Jumpin' 'round in your bag
So good morning, ooh girl
You are the feeling I'm jammin' to (brand new)
You are the feeling I'm jammin' to (brand new)
Like the tag's still on me
Got the tags still on me — "Brand New"

The supremely silly but always fun"Hunter" is definitely a nod towards the '80s as well as an homage to bands like Duran Duran, Blondie, and the B52s. It also comes the closest to evoking last summer's smash, "Blurred Lines."

Miley Cyrus turns up for vocals on a bouncy track called "Come Get It Bae."

And Pharrell apparently can't get enough of Daft Punk (or vice-versa), who join him on the groovy "Gust of Wind".

Other featured artists include Alicia Keys who duets with Pharrell on "I Know Who You Are," Timbaland, and Kelly Osborne.

Although "Happy" is undoubtedly the sunniest song on the record, it is impossible to listen to the rest of Girl and not smile. Celebrating women and music and love, Pharrell and Girl just want to have fun.

Friday, October 11, 2013

favorite song friday

While tons of folks are still bemoaning "Whatever happened to Miley Cyrus?" and yearning for Hannah Montana to return, the kid moves on. Yes, maybe she is sticking her tongue out too much, and wiggling her butt around on awards shows more than might be deemed necessary, but what the hell. She's young, she's getting over a break-up, and she's getting headlines and tons of airplay. And no matter what one might think of her hair-do or antics, Miley can sing.

While the official video for "We Can't Stop" is a no-holds barred paean to debauchery, this a capella version that aired on Late Night with Jimmy Fallon, featuring Fallon and The Roots (in a clever Brady Bunch set-up) shows the kid's got chops.


Miley's video for her song "Wrecking Ball" has been parodied and parodied and parodied (and it is seriously goofy - having Miley get naked and make out with a sledgehammer - but it was directed by Terry Richardson, which explains a lot). But if you just listen to the music and the girl sing, it's a really great break-up song. Keep up the good work, Miley. Do I need to see you stick out your tongue one more time? Maybe not. But I'm not too worried about you.

Friday, September 06, 2013

the subversive stylings of bruno mars

Although everyone was up in arms last week about Miley Cyrus pole-dance-twerking on Robin Thicke, no one seemed to notice who was the truly subversive (and truly talented) musical artist in the room ... Bruno Mars. Mars has been quietly turning out hit after hit, for himself and other artists for the past few years. And while Robin Thicke may smarmily wink and croon about "Blurred Lines," Bruno doesn't need to be coy or pull any punches. His songs embody a true rock and roll spirit, many of them frankly sexual. Most importantly, they are consistently catchy as hell.



Born in Hawaii, from a musical family ("Everybody in my family sings, everyone plays instruments ... I've just been surrounded by it"), Mars has been performing since he was three years old. He made a splash in 2010 with his first album, Doo-Wops & Hooligans, which featured the chart-topping "Just the Way You Are" and "Grenade," and followed that up in 2012 with Unorthodox Jukebox, which has already spawned three hits — "Locked Out of Heaven", "When I Was Your Man," and "Treasure." Besides his two hit albums, Mars has also sang on and/or co-wrote many other recent radio hits, including "Billionaire" by Travie McCoy, (featuring guest vocals from Mars) and "Fuck You!" by Cee Lo Green (co-written by Mars).

What Mars really brings to the table is his wanting to keep his love songs sexy. His lyrics don't just want to make one dance, but dim the lights. His love songs can be full of elation:

Never had much faith in love or miracles
Never wanna put my heart on the line.
But swimming in your world is something spiritual
I'm born again every time you spend the night 
Cause your sex takes me to paradise
Yeah your sex takes me to paradise
And it shows, yeah, yeah, yeah
Cause you make feel like, I've been locked out of heaven
For too long, for too long
Yeah you make feel like, I've been locked out of heaven
For too long, for too long — "Locked Out of Heaven"

Or despair:

If my body was on fire
Ooh, you'd watch me burn down in flames
You said you loved me, you're a liar
'Cause you never, ever, ever did, baby 
But darling, I'd still catch a grenade for ya
Throw my hand on a blade for ya
I'd jump in front of a train for ya
You know I'd do anything for ya 
I would go through all this pain
Take a bullet straight through my brain
Yes, I would die for you, baby
But you won't do the same — "Grenade"

Bruno Mars and Cee Lo Green, from BrunoMars.com


Sometimes he's just a posturing guy, bragging and trying to impress a girl (or anyone who will listen):

Ah yeah
Well, let me think, let me think
Ah, what should I do?
So many eager young bunnies
That I'd like to pursue 
Now even now they eating out
The palm of my hand
There's only one carrot
And they all gotta share it — "Runaway Baby"

Sometimes he's just a guy trying to be himself:

Today I don't feel like doing anything
I just wanna lay in my bed
Don't feel like picking up my phone, so leave a message at the tone
'Cause today I swear I'm not doing anything
Nothing at all, nothing at all 
Tomorrow I'll wake up, do some P90X
Find a really nice girl, have some really nice sex
And she's gonna scream out
This is great
(Oh my god, this is great)

I'll just strut in my birthday suit
And let everything hang loose ... — "The Lazy Song"

Sometimes he's just damned funny:

I see you drivin' 'round town with the girl I love
And I'm like, "F**k you!"
I guess the change in my pocket wasn't enough
I'm like, "F**k you and f**k her, too!" 
Said if I was richer, I'd still be with you
Hah, now ain't that some sh*t?
(Ain't that some sh*t?)
And although there's pain in my chest, I still wish you the best
With a f**k you — "F**k you," Cee Lo Green

Smart, funny, always profane.

Pundits can keep dredging up the Miley Cyrus/Robin Thicke number from the recent MTV Video Music Awards, but Bruno Mars kicked real ass, by performing the latest song from Unorthodox Jukebox, "Gorilla." I guess no one was listening too closely to the lyrics ...


Ooh I got a body full of liquor with a cocaine kicker and I'm feeling like I'm thirty feet tall
So lay it down, lay it down
You got your legs up in the sky with the devil in your eyes
Let me hear you say you want it all
Say it now, say it now 
Look what you doing, look what you done
But in this jungle you can't run
Cause what I got for you
I promise is a killer, you'll be banging on my chest
Bang bang, gorilla — "Gorilla"
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Tuesday, August 27, 2013

how was miley's performance so different ...

... from so many other "sexy" VMA performances?

Isn't that the point of the VMAs (and rock 'n' roll)? To be "outrageous?" It may have been in poor taste, and I don't want my 9 year-old daughter to check it out, but the internet outrage, aimed squarely at Billy Ray Cyrus's little girl, who isn't a little girl anymore (news flash), seems way off balance. What about her partner-in-crime, Robin Thicke? It was his song, and he and Miley obviously rehearsed their gyrations.

She's just following in the footsteps of her fellow songstresses ...





What Miley does shares with these other ladies and their performances through the years is being in charge of how she wants to present her sexuality onstage. It might not be your cup of tea — I'm not sure what all the Gene Simmons-like tongue action was about — but Miley was in charge. She and her back-up dancers at least looked like they were having fun, as opposed to the robot-like, typical, objectified dancers and strutters in skimpy spandex who joined Thicke & Co. after Miley twerked herself off into the distance. Best VMA performance ever? Worst? Hardly, either, but it achieved its primary objective. It got everyone talking. And tweeting.


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Tuesday, March 01, 2011

the little girls understand

Article first published as Movie Review: Justin Bieber: Never Say Never on Blogcritics.



I was telling myself that taking my daughter to Justin Bieber: Never Say Never in 3D was proof of my undying love for her. And I do love my kid. But truth be told, it was actually entertaining, even for a mostly uninitiated adult. Bieber has a natural musical talent and his family has been videotaping him from an early age, so the filmmakers found it easy to supply the documentary evidence. The film was directed by Step Up 3D's Jon Chu, but only the concert scenes had any real 3D action, with the rest of the film containing documentary-style clips or interspersed with the family's fuzzy-quality home video. The episodic 3D actually works, as the moments when Justin reaches out to the audience give the little girls a surprise and an extra opportunity to squeal. And there were some squealers in the audience, as well as some dancing in the aisles towards the end. Ah, youth.

The film is structured like pretty much every rock documentary. Some "origins of the band" material (in Bieber's case, maybe more baby photos than most), a crisis (what will the doctor say about his vocal chords?), celebrity endorsements (Usher, Snoop Dogg) and plenty of concert footage. It's interesting that Bieber has come up at a time in pop music when he can fully embrace all musical genres, including hip hop, yet not be another Vanilla Ice. Stars like Usher and Ludacris not only endorse but embrace the kid. His personal road to stardom is also cleverly contrasted and combined with other young stars like Miley Cyrus and Jaden Smith, who got their careers jump-started through nepotism and the Disney machine.

I can't say that any of the songs stayed with me except "Baby," but that's probably because I had heard it so many times before. I'm not sure why synchronized cheerleading dance moves are still de riguer for every popular musical artist—isn't anyone else as sick of that as I am yet?—but Bieber dances and  moonwalks cheerfully and the little girls go wild.


As much as Bieber owes his fame to the power of social media and young girls' allowances, it was surprising to me to learn how much anti-Bieber buzz there is to be found on media sites, both in articles and comments. And that's even before the Rolling Stone interview came out, with questions that seemed set up to make the kid trip over himself. Seriously, does anyone, apart from his core audience, who are probably not Rolling Stone subscribers, care to hear a seventeen year-old's political and cultural opinions?

It's hard to understand why so many people's panties get in a twist about this kid. He's talented, he's cute, and he's completely age-appropriate for his demographic. Why do adults feel that girls are plain silly or crazy to like him? They obviously don't know or haven't recently spent much time with little girls, who are plain silly and for the most part, like things that are pink and glittery and cute. Bieber is all of the above. There's nothing wrong with girls having crushes on a "safe" idol. They're not ready for much more at their age, and as their idol grows, so will they. They will either grow out of him, or grow with him. Bieber's in a similar situation to a young Michael Jackson. Jackson and his fans grew up together. Bieber could either follow in his footsteps or, if the pop idol scene wanes for him, he is talented and driven enough to become a producer or some other music professional. After watching this film it is clear that he's definitely going to be in the music business for a long time.

Waiting for the Bieber

The kid smiles a lot, but his puppy-dog cutes can't hide the fact that he is very driven and dedicated. Footage features a young child barely big enough to sit on the drum kit stool, intermixed with street corner busking in Canada, and current-day dance-move rehearsal in front of the mirror before a show. It's all the same kid, trying to perfect his moves, going for brass ring after ring. As much as the film tries to give a step-by-step of how Bieber broke through to the big time, it might gloss over the sheer ambition that is matched with the talent. Yet he still seems a pretty normal kid. Sure hope he stays that way.
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Wednesday, December 15, 2010

black and white world


Böhm-Zebras (Equus quagga boehmi) im Vivarium Darmstadt (Hessen, Deutschland) by 4028mdk09
I was looking at the black and white world 
It seemed so exciting
If you'd only put me back to back with that girl
When the night's inviting
With just a little lighting

Miley Cyrus. Just trying to seem all growed up. Surrounded by twats she thinks are her friends who videotape her and then sell it before she has the opportunity to pass out at the party. No one should be outraged that the eighteen year old was partying. Neither Miley nor her "people" should manufacture lame explanations which convince no one. Thank god the internets and facebook weren't prevalent when I was eighteen.

There'll never be days like that again
When I was just a boy and men were men
You never go from moment to moment
You're the living double of a single fiction


I'm still pissed about Carrie Fisher's careless recent "outing" of John Travolta. That is, if she actually outed him. Why is everyone so desperate to label him as either/or? How could labeling anyone anything ever be OK? Why does America want this to be a black and white issue? It's Hollywood people, c'mon. Maybe he likes girls, maybe men, maybe both. Why is no one even considering that he may be bisexual? Why should we care? It's one thing to talk about yourself, to blah blah blah your deepest darkest secrets to the world via twitter or some magazine, but what's with all the finger-pointing? Carrie Fisher should just shut up and so should everyone else. No celebrity or any person owes anyone the intimate details of their intimate details. Sex is not politics. Not for everyone.




You're very colourful with your compliments
As you feel the finger's friction
It's a freeze-frame
Still it's real life
You don't want to look
Cause you've seen the film and you've read the book

As I get older I get more gray, as does the world. Things I was completely convinced about, was sure were black and white when I was in my twenties, now seem to be myriad shades of gray. I know that people can get more rigid as they get older, but happily, at least for now, I'm feeling the opposite. Maybe my opening mind is a result of watching some of life's spools unravel. I can't control what others think, only what I think.

It's more than just a physical attraction
It starts with a face and ends up a fixation
But you're never gonna feel a fraction
Of the way it used to work on your imagination
When you were looking at the black and white world...

Excerpted lyrics from Black and White World by Elvis Costello
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Thursday, June 18, 2009

she's a little bit country

We don't watch Hannah Montana or the Disney channel, if I can help it. Too many commercials. But it's impossible for my five-year-old girl, in the society we live in, to not know who Miley Cyrus is, or her alter ego, and to even know that they can be distinguished by a (pretty tacky-looking) wig. But this song has been playing on the radio recently and I have to say that I, like my daughter, think it's pretty good. It's age-appropriate and country-fied, just a tad inspirational, which of course all young girls love. Rock on, Miley.

Monday, August 04, 2008

the apple needs to fall far from the tree

Helen: I can't believe you don't want to go to your own son's graduation.
Bob: It's not a graduation. He is moving from the 4th grade to the 5th grade.
Helen: It's a ceremony!
Bob: It's psychotic! They keep creating new ways to celebrate mediocrity, but if someone is genuinely exceptional...


Overachiever parents. What's with that? I swear, if I hear one more mom or dad say "Good job!" because their little angel has taken a step, slid down a slide, managed to get most of it in the toilet, etc., etc., I'm going to scream. Being a kid is not a job, and being a parent shouldn't automatically embrace a sports mentality. But it seems to, these days. How far away is this sort of praise from Jeter slapping A-Rod on the butt or giving him a high-five after he drives in a homer? Not far. That is appropriate behavior at Yankee Stadium. At the public restroom in Target, not so much.

Why should everything a kid does be congratulated? Simple day-to-day tasks that we all have to master in our formative years are being rewarded, illustrated in the fantastic scene (dialogue above) from The Incredibles, where the "super" dad sums it up.

Of course all parents want to cheer their kids on. But the pushy stage-mother is just a prescription for heavy-duty psych bills in your child's future. Let's face it, they're going to have plenty to resent you for anyway, but did the fact that you were so busy ferrying them to soccer practice and ballet class and violin lessons and god-knows-what-else really benefit them in the long run? What about just letting them have a childhood, where they play and have fun?

How much of this over-booking is the desire to expose your kids to all the great stuff that's out there or simply mimicking our own crazy schedules? Or trying to live out your 'deprived" childhood through your kid?

It's a precarious balance. Hopefully the kids won't suffer for it. Because we don't really need any more Mileys/Britneys/Lindseys.

And if everything a kid does is so darn good, how do we gauge real excellence?

Dash: You always say 'Do your best', but you don't really mean it. Why can't I do the best that I can do?
Helen: Right now, honey, the world just wants us to fit in, and to fit in, we gotta be like everyone else.
Dash: But Dad always said our powers were nothing to be ashamed of, our powers made us special.
Helen: Everyone's special, Dash.
Dash: [muttering] Which is another way of saying no one is.