|Elsa, the Snow Queen - it's lonely at the top of a mountain of ice|
Par the usual Disney fairytale adaptation, the girls' parents soon meet a tragically convenient end, leaving the sisters to grow up orphaned and estranged — as Elsa fears that she will lose control and seriously harm Anna and others. When Elsa comes of age there is a glimmer of hope at her coronation that the two sisters may finally grow closer, but that hope is quickly dashed when the impulsive Anna falls immediately for a visiting prince named Hans (Santino Fontana), and Elsa loses her temper and control of her powers, to the horror of her sister and coronation guests. She flees the scene, unwittingly covering Arendelle in ice. She may be forced into a life of isolation, but she is finally free, and no longer hides her ability but exults in it, constructing an enormous mountain castle made of ice.
Let it go, let it go
Can't hold it back anymore
Let it go, let it go
Turn away and slam the door
I don't care what they're going to say
Let the storm rage on
The cold never bothered me anyway
"Let It Go," music and lyrics by Kristen Anderson-Lopez and Robert Lopez, performed by Idina MenzelAn intrepid Anna sets out after her sister, sure she can convince her to come home and "fix" everything. She is joined on her quest by some comic (and potentially romantic) relief — Kristoff (Jonathan Groff) and his lovable and loyal reindeer Sven, as well as a magical snowman named Olaf (Josh Gad).
Beware, spoilers below:
Frozen has a lot to recommend it. The vocals by Bell, and especially Menzel, are great. I do think, however, that apart from Elsa/Menzel's big number "Let It Go," the songs were pretty forgettable. Does every Disney animated movie have to be a mini-musical? Maybe it's time to move beyond Beauty and the Beast and The Little Mermaid. Pixar and Dreamworks are making entertaining pseudo-Broadway song free animated movies.
Olaf the snowman is adorable and sure to have multiple spin-off cartoons, as his character of a snowman who yearns for sunnier days is just too great to resist. After the sisters have an unsuccessful reunion Elsa once again unwittingly injures her sister, lodging a shard of ice in her heart, You would think that after being able to build such an amazing palace of ice (a truly gorgeous sequence) she might pay a little more attention to what she does with her flying ice hands.)
|Anna, Olaf, Kristoff, and Sven in a beautiful ice forest|
When the trolls confirm that the only thing to melt the ice that is slowly freezing Anna's heart is an act of true love, it is assumed that true love's kiss will save the day. The audience knows that Kristoff, not Hans, is the candidate for that job. But there is a last-act plot turn that spoiled a bit of the magic for not just me, but my daughter. The screenwriters make Hans a truly nasty villain, robbing Anna of the ability to realize for herself that she doesn't really love him. They do minimize that blunder by having the love that saves the day be that between the sisters, and not dependent on romance, which, admittedly, is great. But the sour, clichéd character of Hans still hung over our movie-viewing experience as we exited the theater.
That said, I would still recommend Frozen. Making Elsa a conflicted and not evil Snow Queen was an interesting choice. Along with Tangled and Brave, Disney's princess stories are trying to take some forward steps. Teeny, tiny, baby steps forward. But next time let the girl be strong on her own and make her own decisions about love, and not let her get dumped and disappointed by a bad guy so that she then notices a good one. Let the conflicted, "dark" girl like Elsa be the main focus rather than her spunky, cute sister. Could Disney manage a story that didn't have princesses in it at all? The original Snow Queen didn't need Gerda to be a princess. Far from it — she and Kai were poor. Not every girl dreams of being a princess. Remember Lilo and Stitch? It's worth a try.