Showing posts with label My Neighbor Totoro. Show all posts
Showing posts with label My Neighbor Totoro. Show all posts

Tuesday, February 21, 2012

arrietty is like walking inside a painting

No one who is a fan of the output of Japanese animation studio Studio Ghibli would be surprised that its latest release, The Secret World of Arrietty is well-made and entertaining, but they might be surprised at how drop-dead gorgeous it is.

From the very first frame of the film the audience is transported into a lush, painterly landscape. The familiarly-drawn anime characters of the story blend seamlessly with the watercolor backgrounds. It is simply beautiful to look at and experience. The story, written by Studio Ghibli mastermind Hayao Miyazaki and Keiko Niwa, is based on Mary Norton's classic children's book The Borrowers. The story is simple — teenage Arrietty lives with her parents, father Pod and mother Homily, below the floorboards of a house. Borrowers are tiny people who survive by borrowing what they need from the human beings, or beans, as they call them. One day an ill teenage boy named Shawn comes to stay in the house, in order to rest and prepare for a heart operation. He spies Arrietty, and while this knowledge becomes an immediate threat — Borrowers should not be seen by humans — the two become friends. Their friendship has a profound effect on each other's lives.

Arrietty in her room
Nina the cat and Arrietty
Arrietty hitches a ride with Shawn
Housekeeper Hara sees the Borrowers not as people, but as proof that she isn't crazy
The touch of Miyazaki is unmistakable — a strong and resilient young heroine (Kiki's Delivery Service, Spirited Away, Princess Mononoke), the very real threat of illness on a child's life (My Neighbor Totoro), a large cat who is both threatening and protective (My Neighbor Totoro, The Cat Returns), the strong bonds that can be formed between people (Whisper of the Heart), and the power and magic of nature and landscape which permeates all of his films. Miyazaki has always been interested in household spirits, and the Borrowers certainly share characteristics with those beings. But the movie has its own pace and very individual look, which must be traced to first-time director Hiromasa Yonebayashi. Yonebayashi worked previously as an animator on the Studio Ghibli films Ponyo, Tales From Earthsea, Spirited Away, My Neighbors the Yamadas, and Princess Mononoke.


The voice talent is also well-cast. Carol Burnett is inspired as more-than-nosy housekeeper Hara, who is the true threat to the Borrowers' safety. Bridget Mendler (Goodbye Charlie) and David Henrie (Wizards of Waverly Place) make a nice pair as Arrietty and Shawn. A restrained Will Arnett and over-the-top Amy Poehler are both perfect in their roles as Arrietty's parents Pod and Homily.

The Secret World of Arrietty is lyrical and gentle, with the story developing at the same pace as Arrietty's and Shawn's friendship. We know generally what Arrietty will find when she goes on her first borrowing expedition with her father, but the film still conveys a real sense of suspense and wonder as we see the pathways taken by the pair, the evidence of generations of Borrowers who have climbed through the walls and floors before them. Scale, which adults forget is always an issue for children, is a prime factor in Arrietty's world. She and her father climb veritable mountains of furniture for a single cube of sugar or sheet of tissue, which will last her family for months. The visual scale is temporarily tipped in her favor when a pair of potato bugs become pet-sized for Arrietty. The filmakers apparently did their nanoscience research, down to droplets of water and tea, which are as lovingly rendered as the many other details in the film.

The movie is different from most animated children's fare. There are no wise-cracking talking animals or hyerkinetic cuts and chases or radio-ready soundtrack. The music, by French musician Cécile Corbel is as laid-back and hypnotic as the visuals. The story, which originally was set in Norton's England, has been moved to the Western Tokyo neighborhood of Koganei, which coincidentally is where Studio Ghibli resides. The movie may take its time, but feisty Arrietty and her family are always on the go. They are explorers and ultimately nomads, but also creative thinkers. Children will love their real-world solutions for survival, like sailing away in a teapot. Arrietty's world sparks imagination.

A sense of temporary magic permeates the film. Children will relate, recalling the instant friendship that is born at the playground, or over a summer, and must sadly dissolve when both parties return home. Adults may be reminded of the feeling of an unfulfilled romance, a brief relationship that can never be. The Secret World of Arrietty charmingly portrays a sense of beauty and loss, but it isn't a sad film. Spring always comes again. Shawn and Arrietty will never forget one another, regardless of whether they ever see each other again.

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Tuesday, August 16, 2011

catching up with ... tales from earthsea


Japanese animation legend Hayao Miyazaki was busy working on his film Howl's Moving Castle, so couldn't helm Tales from Earthsea, but he must have paid more than a few visits to the studio, as his hand is all over this lovely little anime from 2006. Miyazaki's son, Goro Miyazaki, stepped in for his father to direct the film, a loose adaptation of Ursula K. LeGuin's Earthsea novels. The team at Studio Ghibli delivered the gorgeous painted backgrounds and compelling characters that viewers have come to expect from them. I recently saw the English-voiced version, and even with a pretty standard good vs. evil plot, it was still a treat.


Arren befriends a dragon
Good wizard Sparrowhawk
The movie begins with two dragons, black and white and beautifully rendered, fighting each other over the sea. One kills the other — a bad omen — and the news travels quickly to the King of Enlad, who is then killed by his son, Prince Arren (Matt Levin). Arren is wracked with guilt, and seems haunted by a shadow of himself. He meets a great wizard, Sparrowhawk (Timothy Dalton), a girl, Therru (Blaire Restaneo), and a woman, Tenar (Mariska Hargitay). Together they must try and prevent the evil wizard Cob (Willem Dafoe), who is obsessed with discovering the secret of eternal life. And Arren must decide whether to run from, or face up to, his crime.

Dalton and Defoe are especially good in their voicing of their characters, two wizards in combat, each with a very different interpretation of the eternal battle of life over death. Themes of love and conquering death make for a more adult and sometimes somber story, with some fairly graphic violence at the end of the film, as compared to other Studio Ghibli offerings like My Neighbor Totoro and The Cat Returns. But Hayao Miyazaki, who worked on the story for his son's film, has always added a touch of melancholy to his characters.

Arren has a dark side


The early Bowie-esque Cob


There are images that just take your breath away — 

Anything featuring the dragons


Our first look at Cob in his medieval fortress


An abandoned villa where Arren first meets Therru


The vistas of the seaside town Hort Town


Arren listening to Therru sing a song of loss and mourning


Wolves advancing to attack Arren in the desert.

Tales from Earthsea is a wonderful animated film, full of color and texture, but you should probably tuck in the kiddies and settle back and enjoy this one for yourself.

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Thursday, October 07, 2010

avatar—no not that one, the other one

Three generations in our house have recently been captivated by the Nick toon, Avatar: The Last Airbender. I had seen it before, on and off, but never watched so many episodes in a row until now. I can't say I've got a total grasp of all the mythology yet, as we have been seeing some episodes out of sequence, but what I see I really like.Like enough to purchase Book One on DVD and get caught up.


 Ya gotta have friends
The animation is a combination of the current style of more action-oriented cartoons, like the Batman series (which I also love) mixed with some Pokemon and a dash of Studio Ghibli. The young eponymous hero Aang's "pet" Appa is especially reminiscent of the great Hayao Miyazaki's cat bus in My Neighbor Totoro. The references, fight scenes and comic relief are all good fun and somehow all work together.


The inimitable catbus
What I like the best about the show is not only is the twelve year-old hero undeniably cute, but he resourceful and brave. Aang and his friends are constantly thrust into real life and death adventures. Just like Harry Potter. Just like fairy tales. I think it is also great that my six-year old daughter is getting exposed to concepts like the power and nature of the four elements—mixed in with the cute and fuzzy animals and kids who can do some cool martial arts and take care of themselves.

I have to admit that I prefer this SO much more than the tween antics that can be found on Disney or the omnipresent iCarly. But even after the kid has conked out and gone to bed, Grandma and I find ourselves still watching.

Avatar: "The Avatar Returns"



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